Originally developed for Eventide’s industry-standard Eclipse boasts no fewer than 11 reverberation algorithms plusįour plex algorithms. Seamless pitch shifting including our innovative Micro pitch shift, which FOHĮngineers and vocalists have come to rely on for turning good vocal performances Classic Eventide Effects We’ve packed Eclipse with effects Eventide is famous for.
Or, select a preset that combines twoĪlgorithms or recursive combinations for big multi-effects without sacrificing The two effects blocks’ inputs and outputs canīe configured for stereo or mono. Let you use Eclipse as two independent effects processors ideal for the We’ve packed almost 100 algorithms intoĮclipse along with a two effects block design. Single Rack Space Unit" Dual Effects Block Architecture Eclipse is the only effects processor in its class to feature 24-bitĭigital conversion and 96kHz sampling. "The Power, The Performance, The Heritage of Eventide Audio Effects in a
1975 VINTAGE EVENTIDE H910 HARMONIZER SOFTWARE
Software tools for the artist and producer. Since 1971, Eventide has evolved and grown and hasīecome a staple in the music production community with various hardware and Pitch shifting and digital delay with feedback enabling subtle thickening on We’re all a little older and a bit more established in the business, and the TECĪward Hall of Fame Award is especially gratifying.” The Eventide H910 offered We were a small company on the margins of the New York City studio community. After all, I was just a young engineer and Was ecstatic that people like Frank Zappa and Tony Visconti embraced it and used Instrument that allowed them to change pitch, to add depth, and to layer Musicians and engineers a new way to create and sculpt music to create an Eddie Van Halen and Steve WinwoodĪlso used the H910, each owning two of the units and incorporating them intoĬonceived the H910 as new kind of musical instrument. Platt did likewise on AC/DC's Back in Black. Producer Tony Visconti used the H910 toĪchieve the now-legendary snare sound on David Bowie’s Young Americans, and Tony Incorporating the H910 into his guitar rack, and, similarly Frank Zappa employed The most successful artists of their generation. Harmony processor but had little idea that he was creating a classic tool for Now-chief technology officer, Tony Agnello.
Idealįor vocals, guitars and horns, the Eventide H910 was invented by then-engineer, Of the seventies and eighties drawing praise and extensive use from a select Music engineered on the H910 became the soundtrack Pitch shifting the audio portion of “I Love Lucy” reruns that were sped up to EarlyĬustomers included New York City’s Channel 5 putting an H910 to work, downward Of applications, ranging from regenerative arpeggios to bizarre sound designĮffects to lush guitar or vocal fattening. Vocalist, Jon Anderson, tested the first prototype. Performances in ways heretofore unimaginable. Music enabling producers and artists to add texture to their recordings and TheĮventide H910 Harmonizer effects processor forever changed the complexion of Turned music production on its head and ushered in a new era of music creation.
Innovation: the H910 Harmonizer® effects processor, which has been said to have "Eventide Studio Quality Effects Pedals Information" Eventide Inducted into TECĪward Hall of Fame for H910 Harmonizer Pitch Processor - AnthonyĪgnello honored for developing original pitch processor - The prestigious TECĪwards Hall Of Fame Committee recently inducted Eventide for its 1974
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